Title of Unit: Speak Now
Against The Day- The New South Unit
Authors:
Thomas Panter
Email Addresses: thomas.panter@cobbk12.org
School: Durham Middle School Grade(s):
8th Date: July 14th,
2009
A. Standards:
1. Academic
Standards: Knowledge / Skills: (give identifying information)
Social
Studies:
SS8H7 The student will evaluate key political, social, and economic changes
that occurred in Georgia between 1877 and 1918.
a. Evaluate the impact
the Bourbon Triumvirate, Henry Grady, International Cotton Exposition, Tom Watson and the Populists, Rebecca Latimer Felton,
the 1906 Atlanta Riot, the Leo Frank Case, and the county unit system had on Georgia during this period.
b. Analyze how rights
were denied to African-Americans through Jim Crow laws, Plessy v. Ferguson, disenfranchisement, and racial violence.
c. Explain the roles
of Booker T. Washington, W. E. B. DuBois, John and Lugenia Burns Hope, and Alonzo Herndon.
Language Arts:
2. Character
Traits Addressed: (from Core Ethical Values and other sources)
(Respect, Responsibility, Caring, Honesty, Resiliency,)
Responsibility - Something for which one is responsible; a duty, obligation, or burden.
3. Arts Standards Addressed: (from
http://www.glc.k12.ga.us/qcc-5-8-2008/QCC-Curriculum-in-PDF-format/Fine%20Arts/K5FineArts.pdf or http://artsedge.kennedy-center.org/teach/standards/standards_912.cfm)
NA-T.5-8.2ACTING BY DEVELOPING BASIC ACTING SKILLS TO PORTRAY CHARACTERS WHO INTERACT IN IMPROVISED AND SCRIPTED SCENES |
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Achievement Standard:
- Students analyze descriptions,
dialogue, and actions to discover, articulate, and justify character motivation and invent character behaviors based on the
observation of interactions, ethical choices, and emotional responses of people
- Students
demonstrate acting skills (such as sensory recall, concentration, breath control, diction, body alignment, control of isolated
body parts) to develop characterizations that suggest artistic choices
- Students in
an ensemble, interact as the invented characters
NA-T.5-8.5RESEARCHING BY USING CULTURAL AND HISTORICAL INFORMATION TO SUPPORT IMPROVISED AND SCRIPTED SCENES |
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Achievement Standard:
- Students apply research from print
and nonprint sources to script writing, acting, design, and directing choices
NA-T.5-8.7 ANALYZING, EVALUATING, AND CONSTRUCTING MEANINGS FROM IMPROVISED AND SCRIPTED SCENES AND FROM THEATRE, FILM,
TELEVISION, AND ELECTRONIC MEDIA PRODUCTIONS |
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Achievement Standard:
- Students describe and analyze the effect of publicity, study guides, programs, and physical environments
on audience response and appreciation of dramatic performances
- Students articulate
and support the meanings constructed from their and others' dramatic performances
- Students
use articulated criteria to describe, analyze, and constructively evaluate the perceived effectiveness of artistic choices
found in dramatic performances
- Students describe and evaluate the perceived effectiveness of students'
contributions to the collaborative process of developing improvised and scripted scenes
[SOURCE]
NA.5-8.7 EVALUATING MUSIC AND MUSIC PERFORMANCES |
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Achievement Standard:
- Students develop criteria for evaluating the quality and effectiveness of music performances and compositions
and apply the criteria in their personal listening and performing
- Students evaluate
the quality and effectiveness of their own and others' performances, compositions, arrangements, and improvisations by
applying specific criteria appropriate for the style of the music and offer constructive suggestions for improvement
[SOURCE]
NA.5-8.8 UNDERSTANDING RELATIONSHIPS BETWEEN MUSIC, THE OTHER ARTS, AND DISCIPLINES OUTSIDE THE ARTS |
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Achievement Standard:
- Students compare in two or more
arts how the characteristic materials of each art (that is, sound in music, visual stimuli in visual arts, movement in dance,
human interrelationships in theatre) can be used to transform similar events, scenes, emotions, or ideas into works of art
- Students describe ways in which the principles and subject matter of other disciplines taught in the school
are interrelated with those of music (e.g., language arts: issues to be considered in setting texts to music; mathematics:
frequency ratios of intervals; sciences: the human hearing process and hazards to hearing; social studies: historical and
social events and movements chronicled in or influenced by musical works)
[SOURCE]
NA.5-8.9 UNDERSTANDING MUSIC IN RELATION TO HISTORY AND CULTURE |
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Achievement Standard:
- Students describe distinguishing characteristics of representative
music genres and styles from a variety of cultures
- Students classify by genre and
style (and, if applicable, by historical period, composer, and title) a varied body of exemplary (that is, high-quality and
characteristic) musical works and explain the characteristics that cause each work to be considered exemplary
- Students compare, in several cultures of the world, functions music serves, roles of musicians (e.g., lead
guitarist in a rock band, composer of jingles for commercials, singer in Peking opera), and conditions under which music is
typically performed
[NA-VA.9-12.4 UNDERSTANDING THE VISUAL ARTS IN RELATION TO HISTORY AND CULTURES |
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Achievement Standard:
- Students differentiate among a variety of historical and cultural contexts
in terms of characteristics and purposes of works of art
- Students describe the function
and explore the meaning of specific art objects within varied cultures, times, and places
- Students analyze relationships of works of art to one another in terms of history, aesthetics, and culture, justifying
conclusions made in the analysis and using such conclusions to inform their own art making
Achievement
Standard, Advanced:
- Students analyze and interpret artworks for relationships among form, context, purposes, and critical models,
showing understanding of the work of critics, historians, aestheticians, and artists
- Students
analyze common characteristics of visual arts evident across time and among cultural/ethnic groups to formulate analyses,
evaluations, and interpretations of meaning
NA-VA.9-12.5 REFLECTING UPON AND ASSESSING THE CHARACTERISTICS AND MERITS OF THEIR WORK AND THE WORK OF OTHERS |
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Achievement Standard:
- Students identify intentions of
those creating artworks, explore the implications of various purposes, and justify their analyses of purposes in particular
works
- Students describe meanings of artworks by analyzing how specific works are created and how they relate to
historical and cultural contexts
- Students reflect analytically on various interpretations
as a means for understanding and evaluating works of visual art
Achievement Standard, Advanced:
- Students
correlate responses to works of visual art with various techniques for communicating meanings, ideas, attitudes, views, and
intentions
NA-VA.9-12.6 MAKING CONNECTIONS BETWEEN VISUAL ARTS AND OTHER DISCIPLINES |
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Achievement Standard:
- Students compare the materials, technologies, media, and processes
of the visual arts with those of other arts disciplines as they are used in creation and types of analysis
- Students compare characteristics of visual arts within a particular historical period or style with ideas,
issues, or themes in the humanities or sciences
Achievement Standard, Advanced:
Students synthesize the creative and analytical
principles and techniques of the visual arts and selected other arts disciplines, the humanities, or the sciences
B. Significant Question
& Deepening Questions:
Significant Questions:
1. What is change?
2. Who is responsible for change?
3. Is change always easy?
4. Is change always for the best?
Deepening Questions:
1. How does political change affect society?
2. How do artistic elements (Music, literature, drama, speech) influence change in society?
3. How did people instigate and/or persuade
the change in the South after reconstruction?
4. Is majority always right?
5. In what ways can change bring about conflict?
C. Concept: Consider Universal / Interdisciplinary Concepts –
(Systems, Relationships, Balance/Equity, Patterns, Change, Structure, etc)
Change –
- The act, process, or result of altering or modifying.
- A transformation or transition from one state, condition, or phase
to another.
D.
Masterwork & How it is introduced and Experienced(1):
William Faulkner, a Nobel Peace Prize winning author,
gave a speech in 1955 in Memphis, Tennessee to the Southern Historical Association meeting. In this speech, Faulkner discussed
the need for people to speak out against a wrong when they know it to be so. “Speak now against the day” became
a well-known model for Faulkner’s position on the South’s lack of willingness to change. (Egerton, John. Speak
now against the day. New York: Alfred A. Knopf, 1994.)
1. After analyzing the quote in Language Arts class, the teacher will review what was learned
in Language Arts about the speech and its meaning. The words will be placed on the Smartboard and the teacher will allow the
students the chance to share their meaning of the quote.
2. Students will then be broken up into groups to brainstorm moments from history where people spoke out against
what they felt was wrong. (Women’s movement, 2009 Tea Parties, Montgomery Bus Boycott, or any student generate idea
from the present.)
3. Using their laptop, the students will
research about one of the events they chose and answer the following significant questions in their own Smartboard lesson:
a. What did they speak out against?
b. Who is responsible for the change?
c. Was the change easy?
d. Do you feel the change was for the best?
e. How did it affect society?
f. Did this bring about conflict?
4. Students will present their lesson to the class.
“We
speak now against the day when our Southern people who will resist to the last these inevitable changes in social relations,
when they have been forced to accept what they at one time might have accepted with dignity and good will, say, “Why
didn’t someone tell us this before? Tell us this in time!”
Faulkner was speaking at a meeting of the Southern Historical
Association in Memphis, at a dinner where Benjamin Mays was also a featured speaker. It was the year after the Supreme Court
decision pointed a clear way toward the end of segregation. The South had almost unanimously rejected that decision ; most
leaders from every segment of that society spoke against the decision and spent creative energy devising ways to avoid its
implementation. With assurance that the execution of the Court order was impossible, that it would never be effected, the
South dug in for long-term resistance. This meeting was called to discuss both the decision and the resistance. In that context
Faulkner warned against the repetition of mistakes of the past: “We accept insult and contumely and the risk of violence
because we will not sit quietly by and see our native land, the South, not just Mississippi but all the South, wreck and ruin
itself twice in less than a hundred years over the Negro question.” Then he went on to call for “speaking against
the day.”
If resistance continued Faulkner knew that the day would come when people of the South would realize
the 1954 decision had provided them an opportunity to reconstruct their society; they would recognize the error of resistance
and would then look to their neighbors with the question, “Why didn’t someone tell us this before?”
1. Students will research
about those individuals who “spoke out against the day” during the time period in Georgia following reconstruction.
2.
The research will allow students the chance to participate a night at the museum and the creation of their own newspaper.
E. Engagement / Arts Based Strategies / Accommodations
Students will have the choice of creation of
arts based products.
1. Students will investigate the murder of Mary Phagan and the conviction and lynching of the Jewish factory
manager, Leo Frank. Each investigation team will rewrite the lyrics to the famous song on the case by “Fiddling”
John Carson, “The Ballad of Mary Phagan”. The new and more accurate lyrics will be featured in their newspaper.
2. After investigating
the murder of Mary Phagan, the students will create a movement piece to tell the story of the case against Leo Frank. The
piece will be similar in style of “Peter and the Wolf” as each character will have its own movement and song.
The students will use the characters they think are important to the case and must choose a dance concept that best fits their
character in the story (Percussive, suspended, sustained, swinging, vibratory).
F. Focus Statement: (What
is to be learned so deeply so as to last forever?)
As a citizen it is our responsibility to stand up when
we know there is a wrong and try our best to make it right.
G. Original Creation(3) – (for entire Unit)
1. A Night at the Museum – Students will
research those who initiated change during the period in Georgia immediately following reconstruction and present in character
to the class. Each student will create a brochure on their character and will be interviewed by the other students.
2. Students will take the information gathered
in the Night at Museum and through research to create their very own newspaper. We will work with Language Arts to create
a New South Newspaper from the time period and important characters that spoke out for what they knew to be right. The newspaper
will feature interviews, feature article on the trial of Leo Frank, political cartoon, an editorial, and advertisement.
3. Students will investigate the murder
of Mary Phagan and the conviction and lynching of the Jewish factory manager, Leo Frank. Each investigation team will then
submit their findings in their newspaper and rewrite the lyrics to the famous song on the case by “Fiddling” John
Carson, “The Ballad of Mary Phagan”. The new and more accurate lyrics will be featured in their newspaper.
H. Reflection(4) / Assessment:
Students
will be asked to answer the following:
I. Inquiry(2) Centers – (show the Deepening Question, Activities, Original
Creation,
Accommodations & the nature of the Reflection, for each Inquiry
Center)
1. Inquiry Center #1 – Civil Rights Leaders
A. Students will use their laptops to
research on the internet the similarities and differences between WEB Dubois, Booker T. Washington and Henry Grady
B. Students will use the following handouts
and web sites for their research:
1. Booker T. Washington - Atlanta Compromise Speech
http://afroamhistory.about.com/od/btwashington/a/bio_btw.htm
2. W.E.B. Dubois –
Niagara Movement Speech
http://www.duboislc.org/html/DuBoisBio.html
3. Henry Grady – New
South Speech
http://www.georgiaencyclopedia.org/nge/Article.jsp?id=h-2451
C.
Once the research is complete; each student will use the character analysis web provided to show the similarities and differences
between Civil Rights Leaders WEB Dubois and Booker T. Washington:
D. Students will then write an editorial for the newspaper they will create in Language Arts on which Civil Rights
leader had the best idea to achieve equality for African Americans.
2. Inquiry Center #2 – Atlanta Race Riot of 1906
A. Students will read the summary of the riot from the
book, Negrophobia: a race riot in Atlanta, 1906 (Encounter Books, 2001) by Mark Bauerlien.
Students will answer the following questions:
1. What role did Tom Watson have
in the Race Riots?
2.
How did media bias and prejudice impact race relations in Atlanta?
3. How did Civil Rights leaders react in the face of conflict?
4. How did Georgia’s political leaders react
to the riot?
5.
If you were alive then, what are some things you would have done to “Speak now against the day” to help stop the
impending race riot?
3. Inquiry Center #3 – Alonzo Herndon
A. Students will research about the amazing life of Alonzo
Herndon on the internet at the following web site:
http://www.herndonhome.org/
1. Using the information,
students will use Smartboard software to create a timeline of Herndon’s journey to success.
2. Students will create an advertisement for Herndon’s
Barber Shop to be included in the newspaper being made in Language Arts or to be put on the outside of his barbershop.
a. The advertisement must contain
an image of his barbershop/insurance business.
b. It should provide a description of the service being provided.
c. Explain why the customer
may need this service
d. Create a catchy slogan.
4. Inquiry Center #4 – Media Bias in the Leo Frank Case
A. The students will read the article, “The Press
and the Leo Frank Case”, by Steve Oney
B. The students then answer the following questions from their reading:
1. Provide examples of how the news media made up stories
or parts of stories to “sensationalize” the case.
2. What are some of the examples of bias in the newspapers during the case of Leo Frank?
3. What type of bias seemed to be the
most common in this case?
4.
How do you think the newspaper bias impacted the decision by the jurors?
5. How was the bias of the newspapers a reflection on society?
6. Students can either watch CNN and Fox News and write
about any bias or prejudice or bring in two present day newspaper of magazine articles and discuss any prejudice or bias.
5. Inquiry Center #5 – Investigation
of the Murder of Mary Phagan
A. The teacher will give a brief summary of the Murder of Mary Phagan.
B. The students will break up into their own detective agency.
Each group of four will read through the summary sheet of the case to get a better idea of the original findings of police
detectives.
C. Each detective
agency will investigation the case involving Leo Frank’s conviction of the murder of Mary Phagan in 1913. The room will
be set-up into stations for investigators to look through including the following:
1. Crime scene with police reports. (this includes outline
of body, murder notes, blank stationary, rope, fake blood, hat, bloody handkerchief, and pencil shavings found in the mouth)
2. Evidence by Leo Frank’s
office with police report. (this includes fake metal club, dark hair sample, small fake blood drop, etc.)
3. Witness Testimony #1 – Includes statements
by workers at the National Pencil Factory.
4. Witness Testimony #2 – Includes statements by police detectives, doctors, and friends or people
with knowledge of the case.
5. Leo Frank Testimony and background (Many feel he was convicted because of his Jewish religion)
6. Jim Conley Testimony and background (His testimony
is credited with convicting Frank)
7. Strange facts about the case that make no sense.
8. Autopsy report on the body of Mary Phagan.
D. Students will produce their own findings in a report. This report is what is commonly seen
in real CSI investigations and must include the following:
D – Who had the desire to commit the crime?
O – Who had the opportunity to commit the crime?
P – Who had the personality?
E – Who does the evidence
point to?
6.
Inquiry Center #6 – Editorial
With the investigation complete, students will write an editorial for the newspaper being created in Language
Arts on how bias/prejudice played a part in the Leo Frank case.
7. Inquiry Center #7 – Featured story in New South newspaper
With the investigation complete, students will reproduce
their findings as the headline story in the newspaper. The story should contain important quotes and evidence to persuade
the reader.
8. Inquiry Center #8 - With
the investigation complete, students will rewrite the lyrics to the famous song, “The Ballad of Mary Phagan.”
Students will investigate the murder of
Mary Phagan and the conviction and lynching of the Jewish factory manager, Leo Frank. Each investigation team will rewrite
the lyrics to the famous song on the case by “Fiddling” John Carson, “The Ballad of Mary Phagan”.
The new and more accurate lyrics will be featured in their newspaper. Some may volunteer to present to the class.
9. Inquiry Center #9 - A Night
at the Museum (Extension Activity)
Students will research those who initiated change during the period in Georgia immediately following reconstruction
and present in character to the class. Each student will create a brochure in Microsoft Publisher on their character and will
be interviewed by the other students.
Reflection:
What was the most important thing learned from this unit?
How did I learn it?
What important standards did I master?
How might I apply what I learned to something very important?
How would I teach
this, better, to others?
How did character play a role in the events from the New South?
If you could go back in time to the New South period and say something,
what would you say and to whom would you say it?
J. Arts Partner Role/Contribution:
Speaker from the local newspaper
Journalism student from local schools
Speaker from the Anti-defamation league
K. Relationship to the System/School
Improvement Plans
A. Students will improve writing skills.
1. Students will write in all content areas using the school-wide rubric at regular intervals.
2. Students will utilize a variety of
content specific resources to support their writing.
3. Students will use a variety of sentences to write clearly and effectively.
4. Students will write using correct spelling, punctuation,
and capitalization in
all
content areas.
L. Academic
Service Learning
1. The students will benefit from the teaching from other students at local schools.
2. The students will benefit from teaching
to other students within their own building.
3. The student-generated newspapers will be sent to the Anti-defamation league at the William Breman Jewish
Center in Atlanta for display or use.
Resources & Materials Needed:
Egerton, John. Speak now against the day. New York: Alfred A. Knopf, 1994.
“The
Ballad of Mary Phagan”- lyrics by “Fiddling” John Carson.
“The Press and the Leo Frank Case” – Article by Steve Oney
Atlanta Compromise Speech –
By Booker T. Washington
The
Niagara Movement Speech – By W.E.B. Dubois
The New South Speech – By Henry Grady
The Leo Frank Case Revisited – The Breman Jewish Heritage &Holocaust Museum
Computers for research
The Ballad of Mary Phagan
by
“Fiddlin”John Carson
(from The Journal of American Folk-Lore, XXXI (1918), 264 -66)
Note: This ballad was sung at rallies in support of carrying out the execution of Leo Frank.
"Fiddling
John" Carson popularized this song at demonstrations in Georgia in 1915.
Little Mary Phagan
She left her home one day;
She went to the pencil-factory
To see the big parade.
She left her home at eleven,
She kissed her mother good-by;
Not one time did the poor child think
That
she was a-going to die.
Leo Frank he met her
With
a brutish heart, we know;
He smiled, and said, "Little Mary,
You won't
go home no more."
Sneaked along behind her
Till
she reached the metal-room;
He laughed, and said, "Little Mary,
You have
met your fatal doom."
Down upon her knees
To
Leo Frank she plead;
He taken a stick from the trash-pile
And struck her across
the head.
Tears flow down her rosy cheeks
While
the blood flows down her back;
Remembered telling her mother
What time she would
be back.
You killed little Mary Phagan,
It was
on one holiday;
Called for old Jim Conley
To carry her body away.
He taken her to the basement,
She was bound both hand and feet;
Down in the basement
Little Mary she did sleep.
Newtley was the watchman
Who went to wind his key;
Down in the
basement
Little Mary he did see.
Went in and called
the officers
Whose names I do not know;
Come to the pencil-factory,
Said, "Newtley, you must go."
Taken him to the jail-house,
They locked him in a cell;
Poor old innocent negro
Knew
nothing for to tell.
Have a notion in my head,
When
Frank he comes to die,
Stand examination
In a court-house in the sky.
Come, all you jolly people,
Wherever you may be,
Suppose little Mary Phagan
Belonged to you or me.
Now little Mary's mother
She weeps and mourns all day,
Praying
to meet little Mary
In a better world some day.
Now
little Mary's in Heaven,
Leo Frank's in jail,
Waiting for the
day to come
When he can tell his tale.
Frank will
be astonished
When the angels come to say,
"You killed little Mary Phagan;
It was on one holiday."
Judge he passed the
sentence,
Then he reared back;
If he hang Leo Frank,
It
won't bring little Mary back.
Frank he's got little children,
And they will want for bread;
Look up at their papa's picture,
Say, "Now my papa's dead."
Judge he passed the
sentence
He reared back in his chair;
He will hang Leo Frank,
And
give the negro a year.
Next time he passed the sentence,
You bet, he passed it well;
Well, Solister H. M.
Sent Leo Frank to
hell.
The
Ballad of Mary Phagan Questions
1. Why do you think the song became so popular among the population of Atlanta during the
Leo Frank trial?
2. Identify words of bias in the song by finding adjectives used to describe
Mary Phagan.
3. What type of feelings or response was the writer trying to get from
the use of these words?
4. Identify words of bias in the song by finding adjectives used to describe
Leo Frank.
5. What type of feelings or response was the writer trying to get from
the use of these words?
6. Based on your research and investigation, what events in the song
are imagined about Leo Frank?
7. Based on your research and investigation, what events in the song
are imagined about the actual murder?
Based on your research and investigation, your group should make
new lyrics for the song, “The Murder of Mary Phagan”. The song must include music, lyrics that present the facts,
include an explanation on the parts you changed from the original version and what evidence caused you to make the change,
and present the song to the class using the computer program, Photostory. The Photostory must include at least 10 images to
help explain the meaning of your song, the lyrics and music).
Ballad of Mary Phagan Rubric
Name: ________________________
Group Members: __________________________________
Grading Points:
0=Student is missing the
assignment
1=Instructions not followed or very poor quality work.
2= Missing a portion of the assignment or instructions
followed with below average work.
3=Instructions followed with average work (You did the minimum).
4=Instructions followed with above average
work (Neat with all the requirements met.
5=Instructions followed with outstanding work (Neat with all the requirements met, as well as additional material
and content that makes the project exceptional)
10 images in Photostory
1 2
3 4 5
(x 2)
_______
A detailed explanation on your new lyrics during the presentation
1 2
3 4 5
(x 5) _______
A detailed summary of the case during the song
1
2 3
4 5 (x 5)
_______
Photostory presentation lyrics
1 2
3 4 5
(x 2) ______
Lyrics represent facts learned in investigation
1
2 3 4
5 (x 3) ______
Overall presentation
quality
1 2 3
4 5 (x 3)
______
Overall
Points ____________ out of 100
Comments: _____________________________________________
______________________________________________________
A Night at the
Museum Rubric
Name: ________________________
Character
the spoke out against the day: __________________________________
Grading Points:
0=Student is missing the
assignment
1=Instructions not followed or very poor quality work.
2= Missing a portion of the assignment or instructions
followed with below average work.
3=Instructions followed with average work (You did the minimum).
4=Instructions followed with above average
work (Neat with all the requirements met.
5=Instructions followed with outstanding work (Neat with all the requirements met, as well as additional material
and content that makes the project exceptional)
Five props
1 2
3 4 5
(x 2)
_______
A detailed explanation on your character during the presentation
1 2
3 4 5
(x 5) _______
A detailed summary on your character in your brochure
1 2
3 4 5
(x 5) _______
Brochure was
neat (Typed) and grammatically correct
1 2 3
4 5 (x 2) ______
Five quiz questions and answers/Graded
1 2
3 4
5 (x 3) ______
Realism and
character dialogue during the museum!
1 2 3
4 5 (x 3)
______
Overall
Points ____________ out of 100
Comments: _____________________________________________
______________________________________________________
Key Words Describing Person |
Key Words Describing Person |
CHARACTER ANALYSIS WEB