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Most Star Trek stories depict the adventures of humans and aliens who serve in Starfleet, the space-borne humanitarian and peacekeeping armada of the United Federation of Planets. The protagonists have altruistic values, and must apply these ideals to difficult dilemmas. Many of the conflicts and political dimensions of Star Trek represent allegories of contemporary cultural realities. Star Trek: The Original Series addressed issues of the 1960s,[4] just as later spin-offs have reflected issues of their respective decades. Issues depicted in the various series include war and peace, the value of personal loyalty, authoritarianism, imperialism, class warfare, economics, racism, religion, human rights, sexism, feminism, and the role of technology.[5] Roddenberry stated: "[By creating] a new world with new rules, I could make statements about sex, religion, Vietnam, politics, and intercontinental missiles. Indeed, we did make them on Star Trek: we were sending messages and fortunately they all got by the network."[6]

Roddenberry intended the show to have a highly progressive political agenda reflective of the emerging counter-culture of the youth movement, though he was not fully forthcoming to the networks about this. He wanted Star Trek to show humanity what it might develop into, if only it would learn from the lessons of the past, most specifically by ending violence. An extreme example is the alien species, the Vulcans, who had a very violent past but learned to control their emotions. Roddenberry also gave Star Trek an anti-war message and depicted the United Federation of Planets as an ideal, optimistic version of the United Nations.[7] His efforts were opposed by the network because of concerns over marketability, e.g., they opposed Roddenberry's insistence that the Enterprise have a racially diverse crew.[8]

Gene Roddenberry drafted a proposal for the science fiction series that would become Star Trek. Although he publicly marketed it as a Western in outer space—a so-called "Wagon Train to the Stars" (like the popular Western TV series)[2]—he privately told friends that he was modeling it on Jonathan Swift's Gulliver's Travels, intending each episode to act on two levels: as a suspenseful adventure story and as a morality tale.[3]

"Bones"  TV Series:
 
  • Emily Deschanel as Dr. Temperance "Bones" Brennan: a forensic anthropologist working at the renowned Jeffersonian Institute located in Washington, D.C. She is an empiricist and author of crime fiction based on her experiences. Her lack of social skills provides most of the show's lighthearted humor, primarily through her catchphrase, "I don't know what that means", whenever a pop culture reference is introduced into conversation. She and Booth begin a relationship near the end of season six, and in season seven, they live together with their daughter.
  • David Boreanaz as Seeley Booth: Brennan aids FBI Special Agent Seeley Booth in his investigations involving human remains that cannot be identified without Brennan's skills in forensic anthropology. Booth is often used to provide a layman's translation of the scientific jargon-filled dialog. He gives Brennan her nickname, "Bones", which she starts out hating, but comes to accept it. Despite having no training in criminology, he is known for his ability to read people's behavior and cues, a quality unknown to Brennan.
 

The Big Bang Theory is an American sitcom created by Chuck Lorre and Bill Prady, both of whom serve as executive producers on the show, along with Steven Molaro. All three also serve as head writers. It premiered on CBS on September 24, 2007.[5] On May 16, 2013 the final episode of the sixth season, The Bon Voyage Reaction aired. The series premiered on September 27, 2012.[6]

The show is centered on five characters: roommates Leonard Hofstadter and Sheldon Cooper; Penny, a waitress and aspiring actress who lives across the hall; and Leonard and Sheldon's equally geeky and socially awkward friends and co-workers, aerospace engineer Howard Wolowitz and astrophysicist Raj Koothrappali. The geekiness and intellect of the four guys is contrasted for comic effect with Penny's social skills and common sense

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